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Editorial
December 30, 1796
Gazette Of The United States, & Philadelphia Daily Advertiser
Philadelphia, Philadelphia County, Pennsylvania
What is this article about?
An editorial denounces French revolutionary plunder of Italian statues and pictures, refuting the Aurora's claim of using top artists for transport, and predicts the artworks will symbolize French infamy, urging their return with Buonaparte involved.
OCR Quality
95%
Excellent
Full Text
Gratitude as per Favour.
In a paragraph in the Aurora of Wednesday, which contains as many falsehoods as could well be comprehended within its limits, it is said, that "the first French artists are employed in the transportation of the statues and pictures from Italy:" and this is almost the only palliative offered to extenuate the criminality of the plunder. How abundant soever artists may have been in France, the revolution has operated as an ostracism to them, which few have escaped. But if they have the first artists, that is to say, packers, waggon-drivers, &c. to employ for this purpose, their conduct, with regard to the whole transaction, will remain the same: and (in the opinion of the best men in France) wherever the trophies are exhibited, they will be regarded as monuments of disgrace and infamy--They will prove a beacon to warn the nations of the earth from any connection or intercourse with the French; till at length, tired and sinking under the intolerable load of infamy, they will, as the only means left to retrieve the honor of the French name, transport back again, their ill gotten plunder; and instead of horses mules, they will cause the pictures and statues to be re-transported by the base instruments of their deportation. And God send, that citizen Buonaparte may live to be one of the train.
In a paragraph in the Aurora of Wednesday, which contains as many falsehoods as could well be comprehended within its limits, it is said, that "the first French artists are employed in the transportation of the statues and pictures from Italy:" and this is almost the only palliative offered to extenuate the criminality of the plunder. How abundant soever artists may have been in France, the revolution has operated as an ostracism to them, which few have escaped. But if they have the first artists, that is to say, packers, waggon-drivers, &c. to employ for this purpose, their conduct, with regard to the whole transaction, will remain the same: and (in the opinion of the best men in France) wherever the trophies are exhibited, they will be regarded as monuments of disgrace and infamy--They will prove a beacon to warn the nations of the earth from any connection or intercourse with the French; till at length, tired and sinking under the intolerable load of infamy, they will, as the only means left to retrieve the honor of the French name, transport back again, their ill gotten plunder; and instead of horses mules, they will cause the pictures and statues to be re-transported by the base instruments of their deportation. And God send, that citizen Buonaparte may live to be one of the train.
What sub-type of article is it?
Foreign Affairs
Moral Or Religious
What keywords are associated?
French Plunder
Italian Art
Buonaparte
Revolution Infamy
Art Transportation
What entities or persons were involved?
French
Buonaparte
Aurora
Editorial Details
Primary Topic
Condemnation Of French Plunder Of Italian Art
Stance / Tone
Strongly Anti French
Key Figures
French
Buonaparte
Aurora
Key Arguments
Aurora's Paragraph Contains Falsehoods About French Artists Transporting Italian Art
French Revolution Exiled Many Artists
Plunder Remains Criminal Regardless Of Transporters
Trophies Will Be Seen As Monuments Of Disgrace And Infamy
They Warn Nations Against Connection With The French
French Should Return The Ill Gotten Plunder To Retrieve Honor