The Dayton Citizen

Cites Influence Of Negro Singers On White Artists

CHICAGO, Ill.-The extraordinary and widespread influence of Negro entertainers on popular white singers today is the subject of a feature article in the current issue of EBONY, Negro picture magazine.

Heading the list of Negro singers who have had the most white imitators is, of course, Louis Armstrong, says the magazine. Frankie Lane, described as the top singer today, says "I sing as I do mainly because I heard him over 20 years ago and loved him. He's my number one influence."

Others, says EBONY, who have been influenced by the husky Armstrong voice are Louis Prima and Wingy Mannone.

Even Bing Crosby

The magazine further points out many other white singers who have probably incorporated in their style the tones of Bing Crosby, admit Bing has quite a bit of Armstrong in him, too.

Aside from Armstrong, the "newest and most-imitated singing styles today are those of Billy Eckstine and Sarah Vaughn," says EBONY. "The most startling vocal likeness to Sarah performing today is a 22-year-old Oklahoma-born girl, Leah Matthews."

A flock of male crooners has fallen in step behind Billy Eckstine. Alan Dale, David Allyn and Tony Bennett are but three. But, by far, the most successful white member of the Eckstine school of singing is Bill Farrell.

EBONY quotes jazz critic John Hammond as saying Ella Fitzgerald and Billie Holiday have had wide influence on white girl singers. Peggy Lee is one of Billie Holiday's strongest boosters and admits getting a few ideas from Billie for her own style of singing. Martha Tilton and Doris Day are listed in the Ella Fitzgerald school.