The Omaha Guide

New York—Thousands of music and opera lovers, including hundreds of Harlem social and civic celebrities, jammed Triborough Stadium here last Saturday night to witness Muriel Rahn's debut in the title role of "Aida" with Salmaggi Opera Company. Not since Caterina Jarboro, noted diva, returned from Italy 14 years ago to sing the same role at the old Hippodrome Theatre, under the same Maestro Salmaggi, have Harlemites witnessed an operatic debut of such proportions.

With a brilliant full moon adding to the otherwise glittering display of scenery, lights, and costumes, the "Opera Under the Stars" exceeded fondest expectations after a postponement last week due to rainy weather.

Miss Rahn, the only Negro in the cast, was easily the star of the evening judging from the "Bravos" that echoed throughout the stadium whenever her performance required the delivery of an aria or other difficult passages of the Verdi score.

Mario Pasquetto, noted tenor, whom Salmaggi imported from Italy this summer to sing the role of "Rhadames", appeared opposite Miss Rahn and he shared vocal honors with her many times in duets and other ensemble numbers, as did Norma Howard, brilliant mezzo-soprano, who sang the role of "Amneris."

Eugene Morgan as "Amonasro", the father of "Aida", was particularly effective in his duet with Miss Rahn, while Vittorio Tatozzi as the "King" and Joseph Contraeras as "Ramfis", high priest, were both excellent and in good voice.

The Corps de Ballet was also one of the highlights of the evening and Conductor Gabriel Simeoni led the 65 piece symphony in a spirited accompaniment. Above: left to right: Norma Howard, Mario Pasquetto and Muriel Rahn.